SYNOPSIS
Meshed by Reflection combines materialist techniques with subjectivity in an attempt to dissolve the following binaries: self/other, internal/external, and public/private. Fixating on two sisters, the work seeks to interrogate the power dynamics of the gaze and the consequences of the distance we anoint between ourselves and the film’s subjects. Meshed by Reflection begs the question of how to distinguish bodies that are physically close, and those that are inorganically conjoined. In doing so, the work highlights that body proximity can transcend visual clarity or physical closeness, instead becoming an intrinsic, machinic connection that a camera cannot capture.