INSTAGRAM
ABOUT
ABOUT
2025
18-25 JUNE
Ego
(Yunjia Zhang, 2025)
DIRECTOR’S STATEMENT
As the director of EGO, I aimed to capture the profound conflict between family bonds and personal aspirations. Set against China’s challenging job market backdrop, the film follows Phill and Clare’s emotional showdown during their last meeting before separation. This intimate encounter mirrors the struggles many face when reality clashes with dreams.
Through a tightly - woven narrative, distinctive audiovisual language, and multi - dimensional character portrayals, EGO delves into the complex interplay between individuals and society. Each shot, line, and musical note was carefully crafted to convey the raw emotions of the characters. My goal was to create a work that not only explores cinematic art but also prompts viewers to reflect on their own choices in family and life.
This film is produced as part of Short Film Production Module.
SYNOPSIS
Phill, a struggling screenwriter, waits anxiously outside the house he once called home, holding a gift for his son, Jack. When Claire, his estranged wife, returns, their mundane exchange quickly turns into a heated argument. Years of unspoken frustrations erupt as the couple confronts their fractured relationship, revealing deeper conflicts about dreams, sacrifices, and blame.
Through sharp dialogue and poignant silences, their conflict lays bare the emotional cost of Phill’s unfulfilled ambitions and Claire’s burden of responsibility. In the end, there is no dramatic reconciliation—only the quiet acceptance that separation might be the only way for both to heal and move forward.
Through sharp dialogue and poignant silences, their conflict lays bare the emotional cost of Phill’s unfulfilled ambitions and Claire’s burden of responsibility. In the end, there is no dramatic reconciliation—only the quiet acceptance that separation might be the only way for both to heal and move forward.
Cast & Crew
Somayeh Roustaei
As the editor, I worked on the script and collaborated with the director and director of photography to develop the shot list. During filming, I was on set to ensure the vision was realized. In post-production, I edited the footage, ensuring the story was told
concisely. I also play the female lead in the film, portraying the emotional depth of the character and working with the director and male lead to create strong on-screen chemistry.
Alessandro E. Pacik
As the male lead, my role is to bring the character to life with an authentic and emotional performance. I work closely with the director to understand the nuances of the character and make sure the portrayal aligns with the vision of the film. I ensure that
my lines, actions, and expressions reflect the intended emotions and story arc.
Yunjia Zhang
My main responsibility is to grasp the overall tone of the film. First of all, I focus on the visual creation of
the script, i.e., the shooting script. I am responsible for choosing the camera positions and adjusting the shooting script according to the scene environment. Furthermore, I coordinate the work of various departments to ensure that all aspects of the production align with the vision.
Xiaoyu Li
My main responsibility is to comprehensively plan, coordinate, and execute the project, ensuring that each step of the short film, from planning to editing, is
accurate and efficient. I clarify the distribution of responsibilities, coordinate the work among team members, and ensure timely communication and problem-solving. I also supervise the shooting progress to ensure that the production adheres to the schedule and improves work efficiency. Additionally, I record all scene details, including scene numbers, shot numbers, and video files, to ensure the accuracy of post-production materials and smooth filming.
Hetai Zhang
I am responsible for selecting and assembling equipment during the pre-shooting stage. During production, I handle all filming tasks, including camera movements and script preservation. Additionally, I ensure the accurate importation and preservation of the script in post-production.
Chuyi Wang
As a Sound Mixer, my responsibility is to ensure the highest quality of audio production for the film. This involves capturing clear, balanced sound during shooting,
managing audio recording equipment, and mixing dialogue, sound effects, and music to achieve the desired soundscape. I work closely with the director and teammates to maintain consistent audio quality that enhances the film’s storytelling.
Zhenghe Li
As the Assistant Director of Photography, my main responsibility is to assist the Director of Photography in handling equipment, setting up shots, and maintaining the
lighting setup. I also ensure that the scenes are shot according to the planned visual style and that the technical aspects of the cinematography are executed smoothly.